What Type of Paint Is Tommy Art Metallic Paint?

Tips and Tricks

So many techniques to endeavour! Here are some tips to ensure you go the results y'all're after.

Preparing Your Surface

Tommy Art mineral paint does not crave a primer in order to adhere effectively to any surface. For best results, brand sure the surface is oil and grease-free. Dirt or flaking paint must be entirely removed from the surface to maintain color stability.

For particularly slippery materials such as chrome-plated metals, plexiglass, enameled ceramics, or other not-porous surfaces that will exist handled regularly, gear up the surface with Tommy Fine art primer.

Untreated Forest (rough or sanded)

Clean the surface with soap and h2o to remove dirt, grease, or oils. Dry well.

Treated Wood (rough and worn)

If the stop is rough, onetime, worn, or has layers of wax or shellac, sand lightly.

Remove dust with a damp cloth.

Treated Wood (new and smooth)

Information technology is not necessary to sand items that are mainly decorative rather than oft used. If an particular is functional or handled, the following use:

• If the surface is new and smooth, sand thoroughly to roughen.

• If the surface is treated with shellac, sand carefully and clean thoroughly with acetone. Rinse and dry well.

• If the surface is treated with wax, sand carefully and clean thoroughly with hot h2o and ammonia. Rinse and dry well.

Smoothen Materials (Formica, plastic laminates, industrial varnishes)

Clean the surface with hot water and ammonia to remove grease and oils. Rinse and dry well. Sand thoroughly with coarse-grained sandpaper to
roughen the surface. Remove dust with a damp cloth. To increment the color's surface adhesion, utilise a primer and allow dry 24-48 hours before painting.

Metal

Clean the surface with hot h2o and ammonia to remove grease and oils. Rinse and dry well. Sand thoroughly with fibroid grade sandpaper to roughen the surface if necessary. Remove dust with a damp cloth.

Glass and Enameled Ceramics

Make clean the surface with hot water and ammonia to remove grease and oils. Rinse and dry well. Because these materials are particularly smooth and rigid, decorations applied to them should exist delicate and handled with extreme care.

Terracotta and Untreated Ceramics

These surfaces are porous and highly absorptive and should therefore be treated the aforementioned as untreated wood. Take precautions when using recycled or used objects. Wash and dry these items thoroughly before using a coat of primer to seal the surface. This
will assist forestall whatsoever impurities from rise to the surface.

Brushes - What You Need to Know

Equally with nigh tools, finding the right one for the chore is important. While finding the correct brush tends to be a personal choice, we do take a few recommendations to help you go started.

For Colors

Flat brushes with rigid beard work all-time. Rigid or hard bristles create small raised areas betwixt castor strokes, creating visible texture that tin can be used in various techniques.

Clean brushes with warm, soapy h2o.

For Waxes

Round brushes with rigid bristles work best. These are sometimes referred to as ovalini. These brushes pick up large quantities of product and tin apply various amounts of wax depending on pressure.

Wax brushes do not need to exist cleaned betwixt uses. The wax volition harden on the brush but will reactivate and soften when used once again. We recommend using a different brush for each wax production because it is often difficult to remove all of the wax from the castor.

Before cleaning the brushes, wipe them with a textile soaked in neutral wax, removing every bit much color every bit possible. Brushes can so be cleaned with hot, soapy h2o.

Note: Because information technology is hard to remove all of the wax from the bristles, practice non utilise wax brushes to apply other Tommy Fine art products.

For Coatings

Flat brushes with flexible bristles piece of work best. The softer bristles pick up big quantities of product and tin can apply various amounts of coating, depending on pressure.

Clean brushes with warm, soapy h2o.

For Apply with Stencils

Round brushes with curt, rigid bristles work best. These are sometimes referred to as tamponi or stippling brushes. The short, rigid bristles allow small amounts of product to be picked up and applied and help prevent color from seeping under the border of
the stencil.

Clean brushes with warm, soapy water.

Other Tools

Palette knives, sponges, and texture tools are all important items to include in your Tommy Art arsenal. Each tool allows unique awarding of the product and assists in many special event techniques.

Color Techniques

There are a number of unlike techniques that tin be washed using Tommy Art mineral-based paint colors. Each technique will result in a different finished look. The about common technique is the "Vintage" technique, which is used to requite a layered, distressed advent. The deviation betwixt the two "Vintage" techniques is the type of wax product used and the dust of the sandpaper used for deplorable.

Vintage - Archetype (aka "Shabby Chic")

The Classic Vintage technique uses 2 contrasting colors. This can mean a contrast in colour or value. The Classic Vintage technique requires choosing a base color (revealed in the distressed areas) and a surface color. The original color of the surface may also be considered the base colour, therefore removing the need to utilise any boosted base layer. A fine form sandpaper is used to create a gently distressed finish.

Supplies:

• Two mineral paint colors

• Solid wax bar

• Fine sandpaper

• Paintbrush

• Neutral wax or transparent varnish (optional)

Steps:

1. Clean the surface of the item to be painted.

2. Apply the base color and let dry out completely. (If the surface color is bein used as the base of operations colour, go along to step three.)

3. Rub the solid wax bar over the edges, corners, and other areas where the worn look is desired. If there are $.25 or flakes of wax remaining, brus them off with a make clean textile.

4. Apply the surface colour evenly and let dry out completely.

5. Sand with a fine grit sandpaper, paying close attention to the areas where the wax has been practical.

6. Castor off dust and protect the surface with a neutral wax or transparent varnish.

Vintage - Distressed (aka Shabby Vintage)

The Distressed Vintage technique is similar to the Classic Vintage technique but uses cream wax rather than a solid wax and a coarse sandpaper to go a more than distressed upshot. Choose contrasting colors or values for best results.

Supplies:

• Two mineral pigment colors

• Neutral wax

• Coarse sandpaper

• Cotton cloth

• Paintbrush

• Transparent varnish (optional)

Steps:

1. Clean the surface of the detail to be painted.

2. Apply the base of operations colour and let dry completely. (If the surface color is being used as the base colour, proceed to footstep three.)

3. Use a brush to apply a modest amount of neutral wax to edges, corners, and other areas where a distressed look is desired.

4. Remove backlog wax using a cotton wool cloth.

5. Apply the surface color evenly and let dry completely.

6. Sand with a coarse grit sandpaper, paying close attending to the area where the wax has been applied.

7. Brush off dust and protect with a neutral wax or transparent varnish.

Chippy (aka Shabby Chippy)

The Chippy technique is used to create a multi-layered, heavily distressed or "chipped" appearance. This technique can be done with additional layers of color for a more aged appearance.

Supplies:

• Three mineral paint colors

• Neutral wax

• Fibroid sandpaper

• Cotton fiber material

• Paintbrush

• Transparent varnish (optional)

Steps:

1. Clean the surface of the particular to be painted.

2. Utilize the base color and permit dry completely.

3. Use a brush to use a sparse layer of neutral wax to the entire surface.

4. Employ the 2nd color and let dry completely.

5. Sand with a coarse grit sandpaper to heavily distress the surface. Castor off any dust.

6. Use a brush to utilise a sparse layer of neutral wax to the entire surface.

7. Use the third color and allow dry completely.

8. Sand with a coarse dust sandpaper to heavily distress the surface.

9. Brush off dust and protect with neutral wax or transparent varnish.

Note:

The Chippy consequence can exist accentuated by adding a small amount of 3D dust crepitation to the paint, which makes the colour more dense and increases the flaking effect.

Dry Brushing

Dry out brushing can exist used to accentuate texture, create an aged appearance, and add together dimension.

Supplies:

• 2 or more colors

• Paintbrush

• Paper toweling

Steps:

1. Make clean the surface of the detail to be painted.

2. Apply the base color and let dry completely.

3. Dip a paintbrush into color mineral paint and swipe across a slice of paper towel to remove most of the paint.

4. Lightly castor the paint onto the surface, leaving light streaks of colour where desired. Let dry completely.

5. Repeat steps 3 and four with additional colors every bit desired.

Staining

Mineral paint colors can create a stained appearance.

Supplies:

• Color mineral pigment

• Water

• Wax brush

• Cotton wool cloths

Steps:

1. Clean the surface of item to be painted.

2. Using a brush, utilize a mineral pigment to the surface.

3. Before the color dries, employ a moisture textile to remove some of the paint. The water will help create a glazed effect, leaving the paint to "stain" the surface.

Annotation:

If the surface is large, work in small sections for best results.

Tommy Fine art metallic paints' unique thickness allows them to create effects which tin be used to mimic natural elements.

Faux Aged Steel

Layer silvery metallic paint and colored wax to create the wait of aged steel. Apply this technique with other metallic and wax colors to create different effects.

Supplies:

• Argent metallic

• Antiquing wax

• Neutral wax

• Palette knife

• Paintbrush

• Cotton wool cloth

Steps:

1. Using a palette knife, utilise silver metallic pigment to the unabridged surface. Apply thickly to create texture.

2. Permit dry out completely.

3. Using a castor, employ a thick layer of antiquing wax. Allow dry slightly.

4. Using a fabric dipped in neutral wax, gently remove the antiquing wax from the surface texture.

5. Allow dry until no longer tacky to the touch.

6. If desired, buff with a clean cloth to add together smoothen.

Tinted Metallic Glazes

Combine metal paints with colour mineral paints to create shimmering, colored glazes.

Supplies:

• Metal colour

• Color mineral pigment

• Modest mixing basin or jar

• Craft stick

• Paintbrush

• Water

Steps:

1. In a small mixing basin or jar, mix equal parts of metallic and mineral paint.

2. Add together a pocket-sized amount of water to thin the metallic color and create a coat.

3. Using a castor, apply a thin layer of metallic colored glaze to the surface.

4. Let dry completely.

5. If desired, add boosted coat layers to deepen opacity.

Tommy Art waxes are part of the Finish line and can be used to add together colour, heighten texture, or protect surfaces.

Coloring or Sealing Untreated Wood with Waxes

Give forest a natural experience without roofing the beauty of the grain.

Supplies:

• Untreated wood Surface

• Neutral or colored wax

• Paintbrush

• Cotton material or steel wool

Steps:

1. Use wax with a brush, moving in the direction of the grain. Allow the wax to penetrate evenly.

2. Permit dry until no longer tacky to the bear on.

3. Buff with steel wool for a satin effect. Vitrify with a damp fabric for a glossy effect.

Notation:
On very absorbent forest, several coats may exist needed. Always dry and vitrify
between coats for the best results.

Wax Patina

Utilise colored wax over color mineral paints to create a simple patina effect.

Supplies:

• Painted surface

• Colored wax

• Wax castor

• Cotton fabric or steel wool

Steps:

1. Using a brush, apply a thick layer of wax over the entire painted surface.

2. Rub with a cotton cloth to aid the wax penetrate the colour.

3. Remove excess wax with a make clean cotton cloth.

4. Let dry until no longer tacky to the affect.

5. Buff with steel wool for a satin consequence. Buff with a damp textile for a glossy effect.

Wax Tinting

Apply both colored wax and neutral wax to soften the await of the colour. This
technique works well on smooth surfaces every bit well as objects with a lot of surface texture.

Supplies:

• Painted surface

• Neutral wax

• Colored wax

• Wax brush

• Cotton cloth or steel wool

Steps:

1. Using a brush, apply a very calorie-free layer of neutral wax over the unabridged painted surface.

2. Remove excess wax with a cotton cloth.

3. Using a castor, utilize a thin layer of colored wax to the entire surface.

4. Using a cloth dipped in neutral wax, gently remove the colored wax. This volition leave hints of the colored wax in the natural grain and texture of the surface while tinting the colour.

5. Allow dry until no longer tacky to the touch.

6. Vitrify with steel wool for a satin event. Buff with a clammy cloth for a glossy effect.

Wax Antiquing

Use colored waxes directly on painted surface to accentuate texture and create a deeper anile effect. This technique works well on objects with a lot of surface texture.

Supplies:

• Painted surface

• Neutral wax

• Colored wax

• Wax brush

• Cotton cloth or steel wool

Steps:

1. Using a brush, apply a layer of colored wax evenly over the textured and painted surface. Brand certain the wax penetrates the heavily textured areas.

2. Using a cloth dipped in neutral wax, remove the colored wax from the protruding areas. For a more than delicate look, remove colored wax immediately. For a more intense appearance, allow colored wax dry earlier removing.

3. Let dry until no longer tacky to the impact.

4. Vitrify with steel wool for a satin effect. Vitrify with a damp textile for a glossy effect.

Custom Colored Wax

Tommy Art waxes and colors can exist combined to create an array of custom colored
waxes. These colored waxes tin can be used in whatever of the techniques above. The ratio for
creating custom colored wax is 5:1 neutral wax to color. Mix well earlier using.

Coating Techniques

Tommy Art coatings are often used to add semi-transparent color and crumbling effects to surfaces.

Coloring or Sealing Untreated Wood with Coatings

Give forest a natural feel without covering the beauty of the grain while adding color.

Supplies:

• Untreated wood surface

• Neutral or colored blanket

• Paintbrush

• Neutral wax or varnish (optional)

Steps:

1. For a transparent effect, dilute colored blanket with water. For a semi-transparent effect, employ coating every bit is.

2. Apply coating with a brush, following the management of the wood grain. Ensure the coating penetrates evenly.

3. Let dry out completely.

Note:

If coating is diluted more 30%, protect the surface with neutral wax or transparent varnish.

Blanket Patina

Employ colored coating over mineral paint to create a simple patina effect. Play with the color combinations to obtain a variety of interesting looks.

Supplies:

• Painted surface

• Colored coating

• Paintbrush

• Neutral wax or transparent varnish (optional)

Steps:

1. Using a castor, apply colored coating to the entire painted surface.

2. Permit dry out completely.

3. Terminate with neutral wax or transparent varnish if desired.

Blanket Tinting

Utilise neutral wax and a colored blanket over a painted surface to create a layered, antique effect.

Supplies:

• Painted surface

• Neutral wax

• Colored coating

• Paintbrush

• Fine grit sandpaper

• Cotton textile

• Transparent varnish (optional)

Steps:

1. Using a brush, apply a thin layer of neutral wax to the entire painted surface.

2. Remove excess wax with a cotton fiber cloth.

3. Using a brush, apply colored coating to the entire painted surface.

4. Let dry completely.

5. Sand lightly to reveal underlying color.

6. Protect with neutral wax or transparent varnish.

Blanket Antiquing

Use colored coatings straight on a painted surface to accentuate texture and create a
deeper aged effect. This technique works well on objects with a lot of surface texture.

Supplies:

• Painted surface

• Colored blanket

• Brush

• Damp cloth or sponge

• Neutral wax or transparent varnish (optional)

Steps:

1. Using a brush, use colored blanket to the entire painted surface. Make sure coating penetrates the heavily textured areas.

2. Using a damp cloth or sponge, carefully remove the colored coating from the protruding areas. For a more than delicate look, remove coating immediately. For a more intense advent, let coating dry slightly earlier removing.

3. Let dry completely.

4. Protect with neutral wax or transparent varnish.

Weathered Forest Grain (Dimensional or Flat)

Use neutral wax and a colored coating over a painted, woods patterned surface to create a weathered forest event. This can be done with dimensional gesso for a dimensional consequence or a paint color for a not-dimensional effect.

Supplies:

• Mineral pigment color or dimensional gesso

• Woods grain spatula

• Neutral wax

• Colored coating

• Pigment brushes

• Fine grit sandpaper

• Cotton wool cloth

• Transparent varnish (optional)

Steps:

1. Using a brush, apply a thick layer of dimensional gesso or mineral paint to the entire surface. (Surface can be painted or not.)

2. Immediately create a textured pattern using the wood grain spatula.

3. Let dry out completely.

4. Using a castor, apply a calorie-free layer of neutral wax over patterned surface.

5. Remove excess wax with a cotton textile.

6. Using a brush, evenly apply colored blanket to the entire surface.

7. Permit dry completely.

8. Sand lightly with a fine grit sandpaper to reveal underlying forest grain pattern.

9. Protect the surface with neutral wax or transparent varnish

Bleached Oak Woodgrain

Overlay wet colors and add together a coating to recreate the upshot of light, bleached wood.

Supplies:

• Pigeon-Gray mineral pigment

• Cashmere mineral paint

• White coating

• Wood grain spatula

• Brush

• Neutral wax or transparent varnish (optional)

Steps:

1. Using a brush, utilize Dove-Grayness to the entire surface.

2. Immediately castor Cashmere randomly onto the surface leaving uneven strokes.

3. Let dry completely

4. Using a brush, apply white blanket.

5. Immediately create a textured pattern using the woods grain spatula.

6. Let dry completely.

7. Protect with neutral wax or transparent varnish.

Annotation:

Create interesting effects by irresolute the base colors and the blanket color.

Damask Effect

Create an interesting watermark-like wait with slightly colored neutral coating.

Supplies:

• Mineral paint colors

• Neutral coating

• Small plastic basin or jar

• Craft stic

• Stencil

• Masking or painters tape

• Stencil brush or sponge

• Neutral wax or transparent varnish (optional)

Steps:

1. Using a castor, apply the colour to the entire surface.

2. Permit dry completely.

3. In a pocket-size bowl or jar, mix fifteen parts neutral blanket with i role colour pigment (use the same color every bit used in step one).

4. Using masking tape, attach the stencil to the painted surface.

5. With a stencil brush or sponge, tap the paint colored blanket over stencil.

6. Carefully remove stencil, wipe clean, and reposition on the painted surface if necessary. Brand sure non to position stencil over previously stenciled areas every bit they may even so exist wet.

7. Echo steps four through six as necessary.

8. Permit dry completely.

9. Protect with neutral wax or transparent varnish.

Paste Techniques

Tommy Art pastes can exist used solitary or with pigment colors, waxes, or coatings to create a number of realistic or natural effects.

Faux Stone

Create the look of weathered stone with rock paste and coating.

Supplies:

• Rock paste

• Palette knife

• Antiquing coating

• Paintbrush

• Damp cloth or sponge

Steps:

1. Using a palette knife, spread stone paste over the entire surface. Leave texture for a weathered appearance.

2. Permit dry out completely.

3. Using a brush, apply antiquing coating to the entire surface. Make certain the coating penetrates the textured areas.

4. Apply a damp cloth or sponge to immediately remove some of the antiquing coating. Remove unevenly for a more realistic stone-similar look.

False Rust

Utilise a combination of rust paste 1, rust paste 2, and blanket to create the look of oxidized, rusted metal.

Supplies:

• Bright Orange Paste

• Brick Red Paste

• Stencil/stipple brush

• Paintbrush

• Antiquing coating

• Damp material or sponge

• Neutral wax or transparent varnish

Steps:

1. Using a stencil or stipple brush, use rust paste 1 onto most of the surface. Scrub the castor in various directions to create slight texture.

2. Using a stencil or stipple brush, immediately dab rust paste 2 randomly onto the surface. Get out some areas night, some areas blended, and some areas calorie-free.

3. Let dry completely.

4. Using a brush, utilize antiquing coating to the entire surface.

5. Use a clammy material or sponge to immediately remove some of the antiquing coating. Remove unevenly for a more realistic rusted appearance.

6. Allow dry completely.

7. Protect with neutral wax or transparent varnish.

Simulated Stucco

Combine sand paste and ochre paste to create a subtle, stucco effect.

Supplies:

• Sand paste

• Ochre paste

• Palette knife

• Dove Greyness coating

• Paintbrush

• Clammy textile or sponge

Steps:

1. Using a palette knife, utilise sand paste randomly to half of the surface.

2. Using a palette knife, immediately apply ochre paste to the remaining areas.

3. Randomly blend the sand paste into the ochre paste to create a variety of tones, ranging from white to yellowish. Let dry completely.

4. If a more weathered appearance is desired, follow the remaining steps.

5. Using a brush, apply Dove Grey coating randomly to some areas of the surface.

6. Using a clammy cloth or sponge, immediately remove some of the coating. Remove unevenly for a more realistic, weathered stucco appearance.

Specialty Product Techniques

Tommy Art specialty products are mediums that combine and complement the rest of the Tommy Fine art line. Each has its own uses and effects.

Crackle Paint

Tommy Art 3D grit crepitation tin can be combined with paint colors and coatings to create
the expect of aged, swell paint.

Supplies:

• 3D dust crackle

• Color mineral paint

• Colored blanket

• Small mixing basin or jar

• Craft stick

• Paintbrush or palette pocketknife

• Damp cloth or sponge

Steps:

1. In a minor bowl or jar, mix 3D grit crackle with color mineral paint to create a paste. (10:1 ratio for cracking).

2. Using a brush or palette knife, apply a thick layer of colored paste.

3. Let dry completely. Cracking should appear as product dries.

4. Using a castor, apply colored coating to entire surface. Allow blanket to penetrate cracks.

5. Using a clammy cloth or sponge, remove coating from the surface. The cracks will exist enhanced by the remaining colored blanket.

Photograph Transfer

Words, phrases, or images can be transferred to a number of unlike surfaces with Tommy Art transfer gel and this easy technique.

Supplies:

• White mineral paint color

• Transfer image

• Transfer gel

• Paintbrush

• Bone binder or credit card

• Sponge

• Water

• Neutral and antiquing wax (optional)

• Cotton wool cloth (optional)

Steps:

1. Using a castor, apply a layer of white paint to the surface and let dry completely.

2. Set images using a photocopier or laser printer.Opposite any text or writing.

3. Using a brush, use a layer of transfer gel to the printed side of the image or text.

4. Immediately place the image (gel side downwards) onto the painted surface.

5. Press well and smooth with the bone folder or credit carte du jour to remove folds and bubbles.

6. Let dry completely. (At least ii hours.)

7. With a wet sponge, dampen the back of the image.

8. Gently rub with your fingers to remove the paper.

9. Repeat steps seven and eight until image is completely visible.

10. Let dry completely. (At least two hours.) Some clouding may occur as the image dries. If the image is not clearly visible, re-wet and remove every bit much of the backing newspaper as possible without dissentious the image.

11. Permit dry completely.

12. Protect the image with transfer gel or neutral wax.

13. For an antique look, utilise a small corporeality of antiquing wax to the edges and corners.

14. Remove backlog wax and buff with a cotton fiber material.

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Source: https://www.diypaint.com/wholesale/tips